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Chinese Porcelain

Introduction of Chinese Porcelain

Originated in China, the Chinese Porcelain has a history of over 4000 years. The Chinese porcelain was preceded by the primitive celadon, which was developed based on the Chinese pottery. The earliest Chinese porcelain was the primitive celadon excavated in the Dongxia Fenglongshan Cultural Ruins of Shanxi province dating back to 4200 years ago. In the long history of China, the Chinese porcelain techniques and skills were greatly bettered and advanced, forming a complete porcelain making system. It became an important part of Chinese culture.

Eastern Han Dynasty (25 - 220 A.D)- Celadon

Although the primitive celadon already appeared in Neolitic Period, the earliest Chinese porcelain celadon, was actually born in Eastern Han Dynasty.

Unlike the previous primitive celadon, the typical works of the Han Dynasty primitive celadons have glaze and were only glazed in the upper part with the red and black lower part exposed to air. One example of such works is the celadon discovered in the No.1 Tomb of Mawangdui Ruins in Changsha, Hunan dating back to Western Han Dynasty.

In the Eastern Han Dynasty, the true early celadon appeared. It has the blue or yellow-green glaze on its surface that was fired at a high temperature, and the surface is smooth and uneasy to be contaminated. The blue color is produced by firing the small amount of iron contained in the glaze at a high temperature. The composition of such celadon glaze is fundamentally similar to that of previous gray glaze. However, the advancement of the firing technique and kiln structures in Eastern Han Dynasty made the firing temperature adjustable, producing the true Chinese porcelain.

Meanwhile, the lead glaze was developed at this time. It is fired in the low fire of 700-800 degrees, and the copper oxide or the iron oxide is added, producing the green glaze or brown glaze. Instead of daily necessities, the green glazed potteries and brown glazed potteries were mainly used as burial objects. The potteries at this time are mainly pots, Dings, and Zuns, with various patterns of animals like dog and tiger, and other daily objects such as pavilions, houses, wells, stoves and many others, reflecting people's hope of maintaining the same life style after their death.

Han Dynasty Celadon

Chinese Porcelain in Three Kingdoms (220-280 A.D), Western and Eastern Jin Dynasties (266 - 420 A.D), and Southern and Northern Dynasties (420-581 A.D) - White Porcelain

The celadon produced in Han Dynasty was further developed in Three Kingdoms and two Jin Dynasties. There are a lot of celadons dating back to the Three Kingdoms Period and Western and Eastern Jin Dynasties excavated in the areas centered in Zhejiang. These celadons are called Guyue Porcelain. The celadons at this time are mainly the burial objects. It’s unclear if any of them was used in daily life.

In the Southern Dynasties, the celadon still existed, but the special vessels used in tombs disappeared. Most celadon works were used in daily lives. The kilns all over the country began to make their own featured porcelains, among which the Deqing Kiln in the northern Zhejiang province was the representative. Since the Eastern Jin Dynasty, the southern China people began to produce the black glazed porcelain.

In the Northern Dynasties, there was no representative celadon discovered. Until Northern Wei Dynasty, the lead glazed potteries were used in tombs. After the North Wei Dynasty being split into Eastern and Western Wei Dynasties, the black porcelains and blue porcelains appeared in Easter Wei Dynasty. With Eastern Wei Dynasty ended, the white porcelain appeared in Northern Qi State. While no large scale kilning activity was found in Western Wei Dynasty and its successor Northern Zhou State.

White Porcelain

Sui and Tang Dynasties (581 - 907) - Tri-color Glazed Pottery

The Sui and Tang dynasties continued to produce and develop the previous celadon, white porcelain, black-glazed porcelain, and lead-glazed porcelain. By the end of the 8th century, china had become part of people's life. Meanwhile, ceramics became one of the products exported overseas. Many celadon and white porcelains were discovered in Southeast Asia and West Asia. One of the representatives of Tang ceramics is the gorgeous Tri-color Glazed Pottery.

Since Sui Dynasty only lasted over 30 years, it's hard to say if there was any time-featured ceramics. In the Zhang Sheng's Tomb (buried in 595) and Bu Yi's Tomb (buried in 603) in Anyang, Henan province, celadons and white porcelains were revealed.

According to the Book of Tea edited by Tang Dynasty Lu Yu, there were seven greatest kilns in Tang Dynasty, the Yuezhou (越州) Kiln, Dingzhou Kiln, Wuzhou Kiln, Yuezhou Kiln (岳州), Shouzhou Kiln, Hongzhou Kiln, and Xingzhou Kiln. Of the seven kilns, the sites for six of them were roughly confirmed, leaving the Dingzhou Kiln unclear. Except the Xingzhou Kiln that produced white porcelain in the north (from Northern Dynasty to the Five Dynasties and Ten Kingdoms), the other five kilns were all situated in south China. The Hongzhou Kiln was located in the Qujiang Town in Jiangxi province, the Shouzhou Kiln in Huainan, Anhui province, Yuezhou (岳州) Kiln in Yueyang, Hunan province, Wuzhou Kiln in Dongyang, Shejiang province and Yuezhou (越州) Kiln in Yuezhou (current Cixi, Yuyang, and Ningbo area). Yuezhou Kiln was the first in all kilns and it represented the highest porcelain production level.

In conclusion, the ceramic industry pattern of "Southern Celadon and Northern White Porcelain" was formed in Tang Dynasty.

Tang Tri-color Glazed Pottery

The world-famous Tri-color Glazed Pottery is a kind of lead-glazed pottery with porcelain body fired in high temperature and the glaze surface fired in low temperature. It appeared in the early Tang Dynasty, prospered in Middle Tang Dynasty and came down with the end of Great Tang. The kilns produced the Tri-color Glazed Pottery were mainly located in central China areas centered in Chang'an (current Xi'an) and Luoyang. Those Tri-color Glazed Potteries were mainly used for funeral products, but a small amount were for daily use and exported overseas.The Tang Tri-color Pottery was not limited to three glazed colors, it also includes the combination of two, three or over three kinds of glaze colors. The lead glaze used in Tang Dynasty was fluid, which could form ever-changing colors, making the surface variegated. Meanwhile, the techniques of applique and "Bala" were applied, greatly enriching the ornamental features of the porcelain. Besides the matrass, binaural dragon bottles, phoenix vases, and teapots, there were also many human or animal-shaped potteries in tri-color glazed potteries.

Tri-color Porcelain

Song Dynasty (960 - 1279) - Five Greatest Official Kilns, Blue china

Song Dynasty is the heyday of the ceramics development and the porcelains produced at this time were very beautiful and elegant. The technique advances were unprecedented and hard to imitate nowadays. There were five renown kilns in China, namely the Ru Kiln, Jun Kiln, Guan Kiln, Ge Kiln and Ding Kiln.

Ru Kiln

Ru Kiln was first official kiln established in late Northern Song Dynasty and lasted less than 20 years. The site is in the Ruzhou of Henan province, thus the name Ru kiln.

Ru kiln mainly produced blue china. The porcelains produced in Ru kiln have thin carcass and thick glaze layers, which feel like the jade-like texture. The surfaces also have small gracked glaze. Most of these porcelains were modeled after the shapes of ancient bronze vessels. There were less than 100 pieces of such porcelains left today, making them very valuable.

Jun Kiln

Jun Kiln has two branches, one for imperial use and the other for commons. It’s the second official kiln built after the Ru Kiln.

The porcelains produced in Jun Kiln are fired twice. They are bisque fired first and then fired again after being glazed. The glaze color is a specialty. All kinds of colors like red, blue, white, and purple are fused together like rosy cloud. During the making process, the copper vapour was mixed into the ingredients to create such gorgeous color. This is a great invention in Chinese ceramics called “Transform of Kilning”. Meanwhile, the thick layers of glaze will crack during the firing. The glaze fillings will come out and fill these cracks, forming regular fluid lines a lot like the crawling trace of earthworm in the mud, thus these lines are also called “Pattern of Earthworms Crawling”.

Guan Kiln

It is unclear where exactly the Guan Kiln was built. The Guan Kiln mainly made Blue china with moon white, light greenish blue and green as popular colors. The porcelains produced here have thick carcass and the glaze surfaces have big glazed patches. The bottom of the porcelains are not glazed, and the mouth part has a thin layer of glaze, which is the typical feature of ceramics in Guan Kiln. The Guan Kiln porcelains are priceless as there are few discovered today.

Ge Kiln

The site of Ge Kiln is still undiscovered so far. There are a few speculations, but no consensus.

The major feature of the ceramics made in Ge Kiln is that the glaze surface has neat gracked glaze. The small ones are called “roe pattern”, the car-shaped ones are called “crab claw pattern”, and the same sized ones are called “hundredfold crackle”. The small patterns are in golden color and big patterns are in black color.

The porcelains produced in Ge Kiln can have thick or thin carcass, and the major glaze colors are light greenish blue, moon white and cream-colored. The ones with glaze surface as fine as human skin are the best products.

Ding Kiln

As one of the most famous kilns in Song Dynasty, Ding Kiln is a folk kiln originally established in Tang Dynasty, prospered in Northern Song Dynasty, and ended in Yuan Dynasty, spanning over 700 years. The Ding Kiln sites mainly distributed in Quyang county (ancient Dingzhou) of Hebei province.

Ding Kiln mainly produced delicate white porcelains, and black glazed porcelains. The patterns differ in thousand ways, some were knife carved, some were scraped with needle and some were made with other special skills. In the excavated porcelain pieces from Ding Kiln, some were carved with characters of “官” or “尚食局”. The former character means that the porcelain was made by the official kilns, while the latter characters man that the porcelain was made in court kilns.

White china

Yuan Dynasty (1271- 1368)- Blue and White Porcelains

It was in the Yuan Dynasty that the development of world-famous Blue and White Porcelain reached a prime time. The Blue and White Porcelain is a kind of underglaze color. First, the shaped vessel is bisque fired and applied with the pigment containing cobalt oxide to make patterns. After the painting is completed, the hyaline glaze is applied and then fire the vessel again in high temperature to make the color cyan. As the pigment containing cobalt oxide were mainly imported from West Asia, the color was also called "Hui Cyan" (the Islamic Cyan).

In addition to the pigment containing cobalt oxide, the red copper pigment (underglaze red) was also used in Yuan Dynasty to make Blue and White Porcelain. As the copper pigment is easy to vaporize, making it hard to produce the bright red color, the Underglaze Red Porcelains made at that time were mainly dark red.

The Yuan Dynasty porcelains are mostly big with diameter over 40cm. The historians believe it was because the Blue and White Porcelains were mainly exported to West Asia areas where the big plates were commonly used to offer food. The patterns on the Blue and White Porcelains are still traditional patterns like dragons, phoenixes, human figures, peonies and plants, and the porcelain body is usually fully covered with those exquisite patterns.

Blue and White Pocelain

Ming Dynasty (1368 - 1644)- Blue and White Porcelains and Faience from Jingdezhen Kiln

The representative kilns in Ming Dynasty were the Official Kiln (Imperial Ware Factory) and the Jingdezhen Kiln, which also supplied porcelains to the court. Although the Cizhou Kiln in North China and Longquan Kiln in South China still existed, almost all the important porcelains were produced in Jingdezhen Kiln and other small folk kilns.

Jingdezhen Kiln appeared in Five Dynasties, developed in Song Dynasty and produced a lot of Blue and White Porcelains at that time. In Ming and Qing Dynasties, the Jingdezhen Kiln became the center of Chinese ceramic industry. The major reason is because Jingdezhen (in Jiangxi province) has the pottery clay as raw materials, wood, water and convenient water transplantation.

According to the excavations in Jingdezhen kiln sites, Ming government began to set official kilns in Jingdezhen at latest in Yongle Emperor’s reign. The Ming government compulsively ordered people to labor in these kilns. The subjects were classified into several class like citizen, armymen, craftsmen and pariah. The potters belonged to craftsmen. In every four years, the craftsmen families had to provide labors to work in official kiln and each time lasts for three months. In Chenghua’s reign, the policy changed that people could be free from the duty if they submit certain amount of tax. After Jiajing’s Reign (1522-1566), the demand for porcelain grew so much that the official kilns began to employ folk kilns.

In Ming Dynasty, the Jingdezhen Kiln mainly produced Blue and White Porcelain and Faience. Most of them were exported to southeast Asia and European countries. Besides the those two mainstream porcelains, the single color porcelains like white porcelains were still produced. Although some Ming era scholars believed that the white porcelains were better, and the blue and white porcelains and faience were raffish, the ceramics exported overseas were mainly the Blue and White Porcelains and Faience. Meanwhile, the decorations in domestic ceramics were mainly chromatic, making the blue and white porcelains and faience the dominating ceramics.

Blue and White Porcelains and Faience

Qing Dynasty (1644-1912) - Famille-rose Porcelains & Enamel Painted Porcelains

The Qing Dynasty ceramics are the epitome of ancient Chinese ceramics. The major production center was still the Jingdezhen Kiln. After the death of Wanli Emperor in Ming Dynasty, the Jingdezhen official kiln was abandoned until the Kangxi Emperor’s reign (1681) in Qing Dynasty. The Jingdezhen ceramics were revived and prospered again in the Kangxi, Yongzheng and Qianlong’s reign. The most popular ceramics at that time were the famille-rose Porcelain and enamel painted porcelain. Besides the traditional celadon glaze and black glaze, many other kinds of glazes were developed. Therefore, the firing technique and painting skills of Qing era ceramics reached an unprecedented level and represented the highest level of ancient Chinese ceramic techniques. However, entering the 19th century, the quality of ceramics lowered with the domestic turbulence.

Famille-rose Porcelains & Enamel-painted Porcelains

In the last years of Kangxi's Reign, a new technique of famille rose appeared. It was made by mixing the quartz powder and lead powder first and then add various pigments to the mixture. The techniques used in famille rose and enamel are similar. The difference lies in that the famille rose porcelains were made completely in Jingdezhen from the shaping, firing and glazing. While the enamel porcelains were shaped and fired in Jingdezhen kiln, but the paintings were applied by the court painters. For example, the imported materials like the golden red containing gold were applied and the western painting styles were fused. Thus, the enamel painted porcelains had higher artistic values.

The works of enamel painted porcelains are mainly small objects like bowls and dishes, while the famille-rose porcelains from Jingdezhen are big vases. Lastly, the old-fashioned five -color pigments and famille-rose pigments were applied in the famille rose porcelains, but almost no such pigment was used in enamel painted porcelains.

Enamel-painted Porcelain

The Chinese ceramics has a long history, each has its own unique ceramics representing the development level of that time. Nowadays, the Chinese porcelains part of people’s daily life.

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